An experimental editorial redesign of Maurice Merleau-Ponty's Phenomenology of Perception. Built upon a strict 8x12 grid system, the layout uses typographic color-coding to map the text's conceptual layers: personal reflections are set in striking black, while scientific explanations appear in neutral grey. Featuring vertically aligned footnotes and minimal running headers, the design transforms complex philosophical discourse into a clean, rhythmic, and structurally precise reading experience.
